| Recommended Uses For Product | Singing, Voice Recording, Podcasting, Video Recording |
| Brand | Shure |
| Model Name | Super 55 |
| Connectivity Technology | XLR |
| Connector Type | XLR |
| Special Feature | Retro Design |
| Compatible Devices | Speaker, Amplifier, Recording Interface |
| Color | Silver |
| Included Components | Super 55 Deluxe Vocal Microphone, Integrated Swivel Stand Mount, 5/8" to 3/8" Thread Adapter, and Zippered Padded Pouch Super 55 Deluxe Vocal Microphone, Integrated Swivel Stand Mount, 5/8" to 3/8" Thread Adapter, and Zippered Padded Pouch |
| Polar Pattern | Super Cardioid |
The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated, swivel stand mount is included. The combination of updates make the Super 55 the ideal choice when looking for a dramatic - yet affordable - improvement in sound quality with an unmistakable vintage design. Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.
Livré en excellent état, pour un micro de seconde main reconditionné par Amazon , soigneusement emballé et stické, comme neuf.Il fonctionne très bien, qualité de rendu de la marque Shure inégalable.À recommander
Great microphone, very clear, worth the price even more so if on sale
I'm in love with it, the classic retro Elvis styling is what that attracts me and my customers. Just a wow from Shure. This mic is has the main spot on the stage and people go haha over it. Thank u Amazon and Shure. Performance is excellent, feedback refection can be felt and the vocals are sharper than sm 58, only thing disturbing me is the puff sound can be heard while breathing near it. I have tried and compared with sm 58 which is quieter even when I blew air from close range. I ve opened the super deluxe and there I found the reason and difference of sponze placing of this and the sm 58. while the sm 58 has sponze attached to the grill of the mic, the distance form the diaphram is 1 inch or less hence making it quiter, on the other hand super deluxe design is in that way where the sponze is attached to the grill however the diaphram is also very close near the sponze hence making audible the noise of breathing and the puff sound from mouth..So singers with good mic and breathe technique will have no issue in using this.
I've been using this microphone with a Focusrite Scarlett solo preamp as part of my V/C setup for work meetings. It's a beautiful mic, always an interesting talking point to break the ice at the start of a meeting, and it makes you sound good.As delivered, there was a manufacturing flaw in the XLR connector wire that caused a bunch of noise. Loosening the grub screw allowed the XLR connector to drop out, and I could re-solder the wire properly to ground. Six months later, the same wire failed behind the mic cartridge and I had to open it up. The original wire was just long enough to reach, and likely got caught on the cable relief spring during adjustment leading to excessive strain on the solder joint. This time I had to replace the wire since it wasn't long enough for a direct repair - but once replaced the mic is back to its former glory.
The best mic!
I have owned the Shure 55SH mic in the past, and though it's looks were killer, I was never happy with the sound. It doesn't matter how good a mic looks on the stage, if it doesn't sound good, then it has no place there other than being a prop. At first I was turned off by the blue foam of the Super 55, but then I was struck with the idea of pairing it with bright blue XLR mic cables, and I thought it would really be a "signature" look and would pop. My biggest concern, of course, was the sound. I did a little research, and was happy to read that the Super 55 is a supercardioid mic based on the Beta 58a, which I love. This mic looks great and sounds great too. Bright and clear, with a great "sweet spot," and also does well on the lows. Some reviews have dinged this mic for being bad with plosives (b's and p's), but even using it with novices at an open mic, I found this not to be the case at all. Excellent gain before feedback allows for this mic to be close to stage monitors and gain cranked without any worries. Love my Super 55's!
Design lindo, qualidade ABSURDA. Me atrevo a dizer que ele é melhor que o Shure beta 58a (meu outro microfone) no palco
I'm doing a Remembering the Rat Pack show in October. I am wanting to put on an over-the-top show, and so when I saw this style of microphone I made it to the peak!It not only looks and feels awesome, but it also compliments my voice in a way that far exceeded my expectations. I'm running this through a power mixer, so there is plenty of power available for hitting the back of any dance hall through this setup. One of the most annoying occurrences while singing is that "pop" noise you get with lyrics that start with "b" or "p" (and others). I'm not sure if it is my experience alone that makes me avoid this sound or it may be the blue screen that surrounds the pick-up coil. Either way, I can belt out some of Frank's loud songs from about 9" away and it sounds amazing with no "pops."I highly recommend this microphone for anyone who is looking for that retro look and still wants to be heard!
I've had this Super 55 for nearly 3 years now, and not once have I had a single issue with it. Admittedly, by itself, the Super 55 is nothing really to talk about. It has a hard time picking up lows and mids, but when attached to an interface that you can equalize, it sounds perfect.With no need for phantom power, you can plug this in anything from a 3.5mm jack (which I will never recommend) to a quarter inch jack (better) or natively into any XLR input (best). Use it at parties, use it at home, use it to sing, or to record voice overs. The possibilities are endless.
素晴らしいですね。コスト以上のパフォーマンスだと思います。
I was using a decent condenser mic that was dropped and only half of it worked. I was looking for a replacement, but didn't want to spend a ton. I needed a good mic for both gigs and studio recording. Well, after researching quite a bit, and finding out that this mic doesn't need phantom power to work, I decided to splurge a bit and get it. I'm a singer/guitarist (singer first, guitarist second), and I love condenser mics for how they capture vocal sounds.I expected a lot from this mic because it's a Shure, and I am NOT disappointed as all! The sound quality is stunning both live and in-studio. The only thing I've noticed is that when I use it live, the PA gain has to be turned up quite a bit, which has (sometimes) caused some feedback when the guitar gain is up as well. I don't think that's a problem with the mic, though. It's more of a problem because I play guitar quietly sometimes.The fact that I have a condenser mic that does NOT REQUIRE phantom power is wonderful. It adds so much more to the mic's usefulness and versatility.But really, I can't get over the sound quality. Stunning.For the price, which was a little steep for me, I think it probably far outshines other condenser mics out there. In addition, it seems to be very well built. And, it's gorgeous to boot.Note: I (like several others) purchased the Aenllosi hard carrying case as part of a bundle from Amazon. I strongly recommend getting a hard case for this mic if you plan to move it around. It's well-built, but it's still a condenser mic, and I don't want to take any chances.
Livré en excellent état, pour un micro de seconde main reconditionné par Amazon , soigneusement emballé et stické, comme neuf.Il fonctionne très bien, qualité de rendu de la marque Shure inégalable.À recommander
Great microphone, very clear, worth the price even more so if on sale
I'm in love with it, the classic retro Elvis styling is what that attracts me and my customers. Just a wow from Shure. This mic is has the main spot on the stage and people go haha over it. Thank u Amazon and Shure. Performance is excellent, feedback refection can be felt and the vocals are sharper than sm 58, only thing disturbing me is the puff sound can be heard while breathing near it. I have tried and compared with sm 58 which is quieter even when I blew air from close range. I ve opened the super deluxe and there I found the reason and difference of sponze placing of this and the sm 58. while the sm 58 has sponze attached to the grill of the mic, the distance form the diaphram is 1 inch or less hence making it quiter, on the other hand super deluxe design is in that way where the sponze is attached to the grill however the diaphram is also very close near the sponze hence making audible the noise of breathing and the puff sound from mouth..So singers with good mic and breathe technique will have no issue in using this.
I've been using this microphone with a Focusrite Scarlett solo preamp as part of my V/C setup for work meetings. It's a beautiful mic, always an interesting talking point to break the ice at the start of a meeting, and it makes you sound good.As delivered, there was a manufacturing flaw in the XLR connector wire that caused a bunch of noise. Loosening the grub screw allowed the XLR connector to drop out, and I could re-solder the wire properly to ground. Six months later, the same wire failed behind the mic cartridge and I had to open it up. The original wire was just long enough to reach, and likely got caught on the cable relief spring during adjustment leading to excessive strain on the solder joint. This time I had to replace the wire since it wasn't long enough for a direct repair - but once replaced the mic is back to its former glory.
The best mic!
I have owned the Shure 55SH mic in the past, and though it's looks were killer, I was never happy with the sound. It doesn't matter how good a mic looks on the stage, if it doesn't sound good, then it has no place there other than being a prop. At first I was turned off by the blue foam of the Super 55, but then I was struck with the idea of pairing it with bright blue XLR mic cables, and I thought it would really be a "signature" look and would pop. My biggest concern, of course, was the sound. I did a little research, and was happy to read that the Super 55 is a supercardioid mic based on the Beta 58a, which I love. This mic looks great and sounds great too. Bright and clear, with a great "sweet spot," and also does well on the lows. Some reviews have dinged this mic for being bad with plosives (b's and p's), but even using it with novices at an open mic, I found this not to be the case at all. Excellent gain before feedback allows for this mic to be close to stage monitors and gain cranked without any worries. Love my Super 55's!
Design lindo, qualidade ABSURDA. Me atrevo a dizer que ele é melhor que o Shure beta 58a (meu outro microfone) no palco
I'm doing a Remembering the Rat Pack show in October. I am wanting to put on an over-the-top show, and so when I saw this style of microphone I made it to the peak!It not only looks and feels awesome, but it also compliments my voice in a way that far exceeded my expectations. I'm running this through a power mixer, so there is plenty of power available for hitting the back of any dance hall through this setup. One of the most annoying occurrences while singing is that "pop" noise you get with lyrics that start with "b" or "p" (and others). I'm not sure if it is my experience alone that makes me avoid this sound or it may be the blue screen that surrounds the pick-up coil. Either way, I can belt out some of Frank's loud songs from about 9" away and it sounds amazing with no "pops."I highly recommend this microphone for anyone who is looking for that retro look and still wants to be heard!
I've had this Super 55 for nearly 3 years now, and not once have I had a single issue with it. Admittedly, by itself, the Super 55 is nothing really to talk about. It has a hard time picking up lows and mids, but when attached to an interface that you can equalize, it sounds perfect.With no need for phantom power, you can plug this in anything from a 3.5mm jack (which I will never recommend) to a quarter inch jack (better) or natively into any XLR input (best). Use it at parties, use it at home, use it to sing, or to record voice overs. The possibilities are endless.
素晴らしいですね。コスト以上のパフォーマンスだと思います。
I was using a decent condenser mic that was dropped and only half of it worked. I was looking for a replacement, but didn't want to spend a ton. I needed a good mic for both gigs and studio recording. Well, after researching quite a bit, and finding out that this mic doesn't need phantom power to work, I decided to splurge a bit and get it. I'm a singer/guitarist (singer first, guitarist second), and I love condenser mics for how they capture vocal sounds.I expected a lot from this mic because it's a Shure, and I am NOT disappointed as all! The sound quality is stunning both live and in-studio. The only thing I've noticed is that when I use it live, the PA gain has to be turned up quite a bit, which has (sometimes) caused some feedback when the guitar gain is up as well. I don't think that's a problem with the mic, though. It's more of a problem because I play guitar quietly sometimes.The fact that I have a condenser mic that does NOT REQUIRE phantom power is wonderful. It adds so much more to the mic's usefulness and versatility.But really, I can't get over the sound quality. Stunning.For the price, which was a little steep for me, I think it probably far outshines other condenser mics out there. In addition, it seems to be very well built. And, it's gorgeous to boot.Note: I (like several others) purchased the Aenllosi hard carrying case as part of a bundle from Amazon. I strongly recommend getting a hard case for this mic if you plan to move it around. It's well-built, but it's still a condenser mic, and I don't want to take any chances.
Super 55 Deluxe
A standout on any Stage The supercardioid directional pattern captures the exact sound you want, regardless of acoustic environment. So it’s perfect for live performance in a variety of venues.
The Super 55 Deluxe Vocal microphone brings The Super 55 Deluxe Vocal Microphone features a signature satin chrome-plated die-cast casing, Supercardioid polar pattern, vibrant blue foam, and tailored frequency response for natural vocals and speech. Integrated, swivel stand mount is included.
Ideal for stage, studio recording, podcasting, and other sound applications where a stand-mounted microphone with a classic look is desired.
Iconic chrome-plated design with vibrant blue color additions Tailored frequency response for natural vocals and speech High gain-before-feedback and excellent off-axis rejection Shock-mounted cartridge minimizes handling noise and ensures quiet operation Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward.
55SH SERIES II
Stage Proof Microphones get dropped, tossed and knocked around. We know. We’ve been making them for nearly a century. It’s why we built the 55SH Series II with a rugged, die-cast casing, so it’s always ready for the next show.
The Shure 55SH Series II Unidyne Vocal Microphone features a signature satin chrome-plated die-cast casing for pure vintage look and feel with modern acoustic components to meet today's performance standards.
The 55SH Series II microphone has a cardioid (unidirectional) polar pickup pattern that minimizes sound pickup from the rear of the microphone. This allows the Model 55SH Series II to be used in close proximity to loudspeakers without creating feedback problems.
Classic appearance, modern performance. Frequency response tailored for speech, vocals and instrumental music. Cardioid directional pattern for optimum performance in adverse acoustic environments. Shock-mounted cartridge minimizes stand-transmitted noise, ensures quiet operation. Self-tensioning swivel mount, permits tilting through 45 degrees forward and 80 degrees backward.
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